–Interview by Diana Clarke
In Amy Blakemore’s story “Exit Strategies,” a woman whose body is a paper bag begs outside a diner. Below, Blakemore names and claims desire, hunger, and the way trauma seeps past the edges of its occurrence and into our bodies, our lives.
1. You make such interesting use of juxtaposition: “Crispy bacon. She’s been on a diet since she was fourteen. It took me years to pop the question.” What do hunger, forbidden food, marriage, and fear have to do with one another?
This is a story, among others things, about suppressed appetites. I think it takes bravery to accept and fulfill our hungers. It requires us to accept that we are not always in control: that we are not always rational creatures. I wanted to write about two characters who, like most of us, had not accepted this—a girl who thought she could undo years of deprivation, a boy who thought he could help her without allowing his own desires to influence the texture of that “help.” Writing this story, at points, felt like a game of Whac-a-Mole: when a character pushed something down, a new and unexpected face appeared. Food became love, love became fear. When our desires are held down, for long enough, they start to shift and change—think of bones under pressure, and how they splinter. Continue reading