6.09 / August 2011

Four Poems

The Cnidos Venus

The goddess herself came to see the statue,
asked “Where did Praxiteles see me naked?”

Scabbed with ejaculate, the first
monumental representation of woman,
the first woman marble, the first Venus,
is now lost. The men who adored
and jacked off to her are dead.
She, assertive stone, all that
ivory Galatea was not: implaccable.

Oh, replications, oh pudica, the hands
clutching your clefts were wrenched there.
Blame men, blame me, but reach
inward now and rip yourselves open.


17th Century Ivory Anatomical Model

Cool as a corpse to the touch, eyes low,
she lies on a velvet-lined base, pocket-sized
as a tattered book of hours, as an ipod
whose click-wheel cracked open. Drop her

and she’ll ping on glass, a clutter of pings
as her torso tips and spills tight-wound
intestines, placenta, fetus, each a stutter.
Don’t ask her to reassure you. You know

better than she how your body bulges,
how your eyes warp and water, your fingers
swell. Sick all the time, you. She already
dead, she can show only where a child fits.

Even a C-section won’t expose you
the way she lifts away; she knows this
and her anemic arm swivels
from her heart to cover her face.

The other hand covers her V, formed
where stiff open legs meet. Gentlemen could
lift that hand, but their curiosity
was for her polished, toy-like exposure.


Anatomical Venus

You’ll find her tucked beyond long rooms
of taxidermied beasts. She waits,
as if in sleep, or halfway there,
cool wax upon a platform draped

in sheets. Her head tilts back. Her hair
tangles itself, eager to cover
her nakedness. She holds a braid
above her right subclavian artery

cradling her lung’s superior lobe.
The holding hand is limp, demure.
as are her knees brushing close.
If you could hold your eyes to hers,

ignore a heart’s missing beats,
despite the gaping autopsical pond
from which emerge such private bodies
that she in life had never known:

the mammoth slug that fights a net
of nerves tied to her core, the glossed
spleen, a kidney, and a bulb with its
two pursed flowers, almost lost.

If you could hold her eyes, and breathe,
would you pinch the edges of her breasts,
gather the skin like a coroner’s sheet
and fold it back across her chest?


Burned Notes on Venus

Chop her body,
butcher peel
heave, drop.

Feed her
to a stray kitten,
choke with wax

what was living.
She smells of must-
be, of once-was,

flipped open.
Were threaded
through her a wick

we could ignite,
it’d soften her.
She glow she

would slide long
her own flesh,
lips lead chin

then larangeal
crest all bitter
over liver,

buttocks, hips,
leaving streaks
charred hair.

Melted, whole
unchoppable.
Unwieldy kiss.


Emma Sovich is an MFA candidate at the University of Alabama and managing editor of Black Warrior Review. In past lives, she was an editorial assistant, cheese monger, and printer's devil in Maryland. Find some of her other work in The Battered Suitcase, The Washington College Review, and Ampersand: Journal of the PCBA.
6.09 / August 2011

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