FOOD BLOG POSTS PLEASE TO SEND

Now that you’ve eaten some delicious turkey, make some great food blog recommendations. Here’s what the fine folks at Creative Nonfiction Have to say:

Once again, Creative Nonfiction is seeking narrative blog posts to reprint in an upcoming issue. Since you were kind enough to nominate your favorite(s) in the past, we’re hoping you’ll help us out again.

There is a bit of a twist this time around; we’re looking for food blog posts to reprint in our upcoming Food issue. As usual, nominations should be 2000 words max and from 2010. Something from your own blog, from a friend’s blog, from a stranger’s blog.

We’re looking for: interesting, true stories that focus on food, including restaurant reviews; tales of meals gone awry; secrets, tips and kitchen short cuts; confessions from cooks, chefs and/or servers; an examination of the kitchen life; organic urban farming; and anything else food related. We are drawn to writing with a strong and compelling narrative; stories that reach for some universal or deeper meaning in personal experiences; and posts that can stand alone.

Deadline for nominations is Monday, November 29, 2010.

For more details and to nominate a blog post go here.

Ever So Thankful We Are

You’re with your families and we’re with our families and we’re all so very thankful but we’re also sleeping in beds that aren’t ours or used to be ours and old wounds heal hard and dinner feels a long time away and before that there’s cooking and cleaning and dealing with people you’re probably related to by blood or marriage or sexual relations. Maybe these words will make all that a little better. Happy Thanksgiving!

Congratulations to Cristin O’Keefe Aptowicz who received an NEA literature fellowship for 2011. Richly deserved!

xTx has a postcard and a little story up at Wigleaf. She also has words at Camroc Press Review. Fancy.

Also at Wigleaf, Vesuvius by Amber Sparks.

In Metazen, you will find James Tadd Adcox with a story with a very long title. He is followed by Joe Kapitan.

Typo 14 includes Anthony Madrid and Maureen Alsop. Wait, have we mentioned this? No matter. These are good poems.

Rusty Truck features two poems from David LaBounty.

NOO Journal 12 has dropped and you can find writing from Gabe Durham, Nate Pritts, and more.

At Dark Sky, this week we learn more of Sheldon Lee Compton and there’s also a great interview with Matt Bell at the Used Furniture Review.

Used Furniture Review continues to impress with Elaine Castillo, Ricky Garni, and much more.

Black Warrior Review 37.1 includes Blake Butler, Nate Pritts, David LeGault, Sandra Simonds, and others.

The Foundling Review’s new issue is a tribute to Writer’s Bloc a magazine that is truly missed. There you can find work from Robert Swartwood and  Eugenia Tsutsumi.

Pedro Ponce’s Alien Autopsy is available for pre-order from Cow Heavy Books.

More Vallie Lynn Watson at Metazen.

If you’re into magical realism, you definitely want to pre-order Alec Bryan’s Night on the Invisible Sun from Aqueous Books.

At Wigleaf, enjoy a fine, fine story from Chantel Louise Tattoli.

Breeding and Writing: Holiday horror stories

 

–by Tracy Lucas

 

So, yep. It’s Thanksgiving. That’s the current elephant in the room, right?

I’ll go with it.

Happy Turkey Day, youse guys!

It’s time for big parades and football games and warm fuzzies and appreciation and tryptophan and pie, extra whipped cream, please.

That’s the cliche stuff, though it’s all true at my house.

Just as often, there’s an accompanying air of tension. Well, okay. Always. And my family tends to get along pretty well in the grand scheme of things; we’re less exciting than the Rosanne episodes I watch to fall asleep every night.

We’re normal. (Relatively speaking, of course. We all know there’s no such thing.)

But something about the holidays makes us bizarre. We attend meals looking for something to gripe about, it would seem, or carrying all the chips we can fit on our shoulders.

And watching holiday sitcoms go by, you can’t help but notice that everyone else has the same weirdness.   Is it the stress of making all the food for a massive gathering?   Is it the failures you were going to prove wrong this year, but find you can’t, or that no one is willing to forego witty tales of the times you screwed up?   Is it cranberry sauce when it’s still shaped like the can? Maybe it’s just dumb to try to cram a whole  gene pool  at one table and expect things to go smoothly.

Who knows? SOMETHING makes us go nuts on Thanksgiving (and Easter, and Christmas, and and and and)

So let’s have some fun with it.

Post your worst, funniest, most horrible or embarrassing holiday family experience in the comments.    Make us cry, laugh, or punch things.

 Maybe we can think up a prize, even. Hell, I’ll make you a construction paper badge and mail it to you, if you’re obviously the winner.

I know my family doesn’t frequent litmag sites to see what I’m up to creatively. (Yours probably doesn’t, either. Sorry.) Â

It’s safe.     (cough, cough)

Come on. Do it.

Let’s commiserate, and be thankful for each other.

 .

(P.S. – In all seriousness, I’m quite thankful for you folks.    You’ve made my year suck much, much less.)

Get a Free Tattoo!

Buy the new novel from Eraserhead Press: Love in the Time of Dinosaurs and win a free dinosaur tattoo.

Buy Love in the Time of Dinosaurs from  amazon.com before January 1st, 2011, send an email with receipt of purchase to  kalene1433@gmail.com, and enter to win $80 toward a dinosaur tattoo of your choosing, from a tattoo parlor of your choosing anywhere in the US.

Winner will be announced January 15th.

More information:  http://kirstenalene.com/2010/11/21/free-dinosaur-tattoo/

Apologia for Jaden and Willow Smith, Part 1: Emotional review of one scene in THE KARATE KID (2010)

In THE KARATE KID, Jackie Chan is a broken man because he killed his wife and son in a car accident while he and his wife were arguing (though I don’t think Jackie Chan says explicitly that they are his wife and son, and indeed he talks about them with a kind of reverent distance as if he had been the woman’s secret lover and the son’s secret father, which is not the sort of thing one is exposed to in what is supposedly a children’s movie).

Throughout the film Jackie Chan gives Jaden Smith looks that I knew carried more, far more, than fatherly affection or mentorly pride. Looks of practiced self-loathing and real curiosity, and yearning yearning yearning most of all.

In one of the first scenes we see Jackie Chan’s face, framed in a window. Jackie Chan is gazing at Jaden Smith in the foreground with one such look.

For me, the relationship between the two could have become something like Jean Reno and Natalie Portman’s relationship in LÃ-ON.

In the scene during which we find out Jackie Chan’s secret pain, Jaden Smith comes across Jackie Chan in his house. Jackie Chan is drunk. He is smashing the car he has been fixing throughout the movie, the car that has been lodged in the screen like a tumor all this time, the car that has been like the Chekhovian gun, whose appearance in the first act foretells a disaster in the third.
Continue reading

Huckster: Mad Men, Pagan Deities & Journalism—Answers To Common Questions About Advertising

Below, I’ve answered some common questions about advertising. Hopefully this will shed some light on an industry renowned for its darkness.

Dear Huckster: Is the television show Mad Men respresentative of the current advertising world?GoingMad, Auburn, Alabama

Dear GoingMad: There certainly are some similarities. For instance, there are plenty of egos in this business. However, the womanizing is gone, and the drinking usually doesn’t begin until after five. Usually. One thing Matthew Weiner completely misrepresents is how a person becomes a copywriter. In Mad Men, Peggy becomes a copywriter simply by earning the respect of her peers by proving her talent. O-kay. But what about the industry-accepted initiation process, where everyone gets to write one of the copywriter’s flaws on his half-naked body with a permanent marker? And then there’s the part of the initiation where nobody tells the copywriter about agency happy hours for a whole year until the writer finally walks in on one and confronts everybody about it, whereupon an account executive explains to him that it’s all part of the initiation process. I mean, come ON, Weiner! This is basic stuff.

Dear Huckster: Is it true that some ads never see the light of day, even after they’ve been created by the creative team? – DeadJobs, Louisville, Kentucky

Dear DeadJobs: Yes, it’s true! In fact, only about 1/3 of the advertising created is actually put out into the real world. Most of it gets killed before it even goes out to a client for approval (read revisions). After a job is killed, a very complex procedure takes place. It all starts with what is commonly known in the industry as The Baphomet Procedure (or Bapho, for short, as in, “Let’s Bapho this fucker”). During the Baphomet Procedure, the job jacket—a folder containing all the job’s information—is taken to the agency’s Sabbatic Goat Altar. All Altar rooms are different, but most of them are illuminated only with candles and have walls adorned with dark oil paintings depicting hooded monks. Anyway, the job jacket is placed in the Offerings Tray, where it is burned (but not before a drop of the account coordinator’s blood is dripped on it!). Of course, the production manager must wear his/her Goat Mask prior to the sacrifice, otherwise the job will never die and the creative team will forever create work for the project, work that will never, ever get produced. But this goes without saying. Naturally, this is just the beginning of the process. Perhaps one day I’ll divulge the rest of the procedure for killing a job. TEASER: One step involves shaving a cat!

Above: An illustrated representation of the production manager during The Baphomet Procedure, which is just one step during the killing of a job. Here, you can tell that the job being killed is a broadcast advertisement, as the production manager's right hand is raised.

Above: An illustrated representation of the production manager during The Baphomet Procedure, which is just one step during the killing of a job. Here, you can tell that the job being killed is a broadcast advertisement, as the production manager's right hand is raised.

Dear Huckster: I’ve heard there are some pretty tight deadlines in advertising, which can be the cause of a lot of stress. How do employees handle that stress? – Stressman, Jackson Hole, Wyoming

Dear Stressman: Great question! Advertising is such a stressful job. Deadlines are pretty much always tight. Sure, there are tight deadlines for other jobs, too, like journalism, but advertising deadlines are much more important. (Obviously!) I mean, if a foreign correspondent doesn’t get his/her work in on time, big deal. A blogger probably already posted that news somewhere on the web anyway. But if we don’t get Brand X’s ad out on time, how will consumers know that Brand X is better than the competition? Riddle me that. We’re Brand X’s only advertising agency! And meanwhile, the guy who blogged about that news happening in a foreign country is probably also posting something bad about Brand X’s product. Great. Just fucking great. Now, not only is our ad not going out on time, but people are going to think Brand X sucks and all because of that foreign correspondent. Thanks, entire journalism industry.

If you have a question for Huckster regarding the advertising industry, please leave one in the comment section and I’ll try to answer it in a future post. Thanks!

Huckster: Mad Men, Pagan Deities & Journalism—Answers To Common Questions About Advertising

Below, I’ve answered some common questions about advertising. Hopefully this will shed some light on an industry renowned for its darkness.

Dear Huckster: Is the television show Mad Men respresentative of the current advertising world?GoingMad, Auburn, Alabama

Dear GoingMad: There certainly are some similarities. For instance, there are plenty of egos in this business. However, the womanizing is gone, and the drinking usually doesn’t begin until after five. Usually. One thing Matthew Weiner completely misrepresents is how a person becomes a copywriter. In Mad Men, Peggy becomes a copywriter simply by earning the respect of her peers by proving her talent. O-kay. But what about the industry-accepted initiation process, where everyone gets to write one of the copywriter’s flaws on his half-naked body with a permanent marker? And then there’s the part of the initiation where nobody tells the copywriter about agency happy hours for a whole year until the writer finally walks in on one and confronts everybody about it, whereupon an account executive explains to him that it’s all part of the initiation process. I mean, come ON, Weiner! This is basic stuff.

Dear Huckster: Is it true that some ads never see the light of day, even after they’ve been created by the creative team? – DeadJobs, Louisville, Kentucky

Dear DeadJobs: Yes, it’s true! In fact, only about 1/3 of the advertising created is actually put out into the real world. Most of it gets killed before it even goes out to a client for approval (read revisions). After a job is killed, a very complex procedure takes place. It all starts with what is commonly known in the industry as The Baphomet Procedure (or Bapho, for short, as in, “Let’s Bapho this fucker”). During the Baphomet Procedure, the job jacket—a folder containing all the job’s information—is taken to the agency’s Sabbatic Goat Altar. All Altar rooms are different, but most of them are illuminated only with candles and have walls adorned with dark oil paintings depicting hooded monks. Anyway, the job jacket is placed in the Offerings Tray, where it is burned (but not before a drop of the account coordinator’s blood is dripped on it!). Of course, the production manager must wear his/her Goat Mask prior to the sacrifice, otherwise the job will never die and the creative team will forever create work for the project, work that will never, ever get produced. But this goes without saying. Naturally, this is just the beginning of the process. Perhaps one day I’ll divulge the rest of the procedure for killing a job. TEASER: One step involves shaving a cat!

Above: An illustrated representation of the production manager during The Baphomet Procedure, which is just one step during the killing of a job. Here, you can tell that the job being killed is a broadcast advertisement, as the production manager's right hand is raised.

Above: An illustrated representation of the production manager during The Baphomet Procedure, which is just one step during the killing of a job. Here, you can tell that the job being killed is a broadcast advertisement, as the production manager's right hand is raised.

Dear Huckster: I’ve heard there are some pretty tight deadlines in advertising, which can be the cause of a lot of stress. How do employees handle that stress? – Stressman, Jackson Hole, Wyoming

Dear Stressman: Great question! Advertising is such a stressful job. Deadlines are pretty much always tight. Sure, there are tight deadlines for other jobs, too, like journalism, but advertising deadlines are much more important. (Obviously!) I mean, if a foreign correspondent doesn’t get his/her work in on time, big deal. A blogger probably already posted that news somewhere on the web anyway. But if we don’t get Brand X’s ad out on time, how will consumers know that Brand X is better than the competition? Riddle me that. We’re Brand X’s only advertising agency! And meanwhile, the guy who blogged about that news happening in a foreign country is probably also posting something bad about Brand X’s product. Great. Just fucking great. Now, not only is our ad not going out on time, but people are going to think Brand X sucks and all because of that foreign correspondent. Thanks, entire journalism industry.

If you have a question for Huckster regarding the advertising industry, please leave one in the comment section and I’ll try to answer it in a future post. Thanks!

Androgene

where she belongsWhen I was a boy, I used to wear my grandfather’s t-shirts as dresses. My family called them togas. My grandfather once caught me stuffing with shoulder pads— his 5-year-old grandson on a step stool, makeshift breasts reflected in the vanity mirror.

 

‡

My friend and I discussed femininity and the conception of its fragility. She questioned why I’ve become fixated on gender. How can I not? Our culture is obsessed with it, with upholding the dichotomy, with ensuring that masculine prevails over feminine. The vulnerability of femininity is beautiful. I have a problem when it is considered a weakness, a fault.

gagagoogle

 Consider the grammatical gender of Romance languages, the domination of masculine nouns. In Spanish, a group of girls is las niñas. A group of boys and girls is los niños. Why are the girls unhonored?  How often have we said, Hey, guys… to a group of women?

It’s okay to be gay. Just don’t be a flamer.

When gender lines are blurred, men become fags & women are dykes. A lesbian was jumped and beaten on campus grounds during my first year of college. When the attackers realized she was a woman, they fled. They wanted to hurt a fag.

Man up.Andrej Pejic

Is androgyny relevant in 2010? I think so. As long as it makes people uncomfortable in their inability to decipher it. Androgyny reminds me that gender is a mask, which I find relieving— to know that it is worn, a performance.  I don’t consider androgyny an ideal, but when a polarity is imposed on us at birth, throughout upbringing, how can I not respect a man wearing lip gloss and heels? The strength it takes to be vulnerable.