hung from the roof, mistaken for a flag when the light bends
like a rose bud / snuck / on the olive tree
I make of his mouth / a fragrant limb
he makes of my hips / a fertile ground
and we drip oil / so
a neighbor’s cigarette / could put us out
we birth pangs of light
ode to the boys who loved like this
thick beards / gather dust / beneath cedars
heave names / inherited / wail
of unholy drums
new music / muted
symphony and bloom / made throb
beneath caravans / and cities praying
the earth / never gave
they say / they say
my people / as much country
as the figs and rubble
slipped bells / on every branch
wedding of ghosts / starved
miracle ringing / wreckage
calling itself / an orchard
Every Fairuz Song is a Separate Grief and the Same Joy
sometimes a mountain daughter takes her name from the blue
of a stone & sometimes she is given a sore back & minimum wage
still we sing for our country all her people gone
gathering softer language still we sing mountains murmur
in all our refrains a child knows how to hold
a distant mother prop the radio on night’s window
& when the neighbors call the cops forget America
run the water like a village song shared & stomping
the whole people drink
every well for every daughter the whole people drink
every Amen & every Allah the whole people drink
portion the flood like bread the whole people drink
[ do you remember rain pooling in the unpaved roads? habibi call sometime ]
my parents used to say Fairuz makes music so beautiful
even the American people kneel on the steps of her voice Did you ever think
someone would sing about us
with America listening?
_________
Philipe AbiYouness is a Lebanese-American poet, theatre artist, and educator. His work is featured or forthcoming in Sukoon Magazine, Maps for Teeth, Tinderbox Poetry Journal, and Fugue. He received the Academy of American Poets Prize when he was a senior at Drew University. As a teaching artist, Philipe has taught workshops in Beirut, the Bronx, Manhattan, Florida, Connecticut, New Jersey, and New York State.