About ten years ago I had the great pleasure of hearing Billy Collins give a reading. During his between-poem banter, he talked about conditioning himself to listen for haiku that occur in everyday conversation. That is, listening for bits of speech that just happen to be 17 syllables in length. Fascinated, I similarly trained my own ear to recognize haiku in unexpected places.
Now that I’ve spent some time on Twitter, I’ve discovered that the 140-character limit lends itself perfectly to haiku. There are Twitter accounts that specialize in tweeting carefully-crafted haiku, but I prefer the spontaneous, accidental versions—those beautiful 17-syllable chunks of language that the tweeter doesn’t even know she’s producing.
Poets.org offers this handy primer on haiku, noting that, although many of the rules of traditional haiku have been relaxed, “the philosophy of haiku has been preserved: the focus on a brief moment in time; a use of provocative, colorful images; an ability to be read in one breath; and a sense of sudden enlightenment and illumination.” Continue reading →