Pictures of You: Susan Henderson

“Patrol Camp,” by Susan Henderson

I carry a very particular picture of myself in my head, the identity that stuck, or perhaps the identity that feels most true. Someone will tell me I’m pretty or sweet, and I’ll look in the mirror and see this kid:susan henderson.jpg

This is me having a big old time at patrol camp. This is back in the days when my dad still cut my hair on the kitchen stool, and obviously I did not bother to dry my hair for the photo. Maybe you can tell by the Billy Idol sneer how I take to dressing up in paper headbands and feathers.

I went to patrol camp the summer before sixth grade to become “an officer.” This selection means I was misunderstood to be a child who would not light her patrol post on fire or try to send the kids across the street when they were most likely to get run over. Continue reading

Pictures of You: Myfanwy Collins

I remember the adults at the after-wake playing a tape recording of my dead father as he told stories. All the drunk people listening to the tape were laughing. I didn’t understand then that they were laughing because they were sad. It was right there. His voice. If I try really hard, I can catch bits of it at the tops of my ears, but then they blink away.

myf in first grade and a postcard.jpg

 

After my mother died, I kept a voicemail from her on my phone for a long time. My husband tried to save it for me but now it’s long gone, too. Then I saw her in a video from years and years before, walking, alive, and there was her voice. Her voice. I never wanted to let go but the tape began unraveling and was lost.

The smell lingers on clothing, in bedding. This is probably what you first knew of the people who cared for you when you were newly born, their smell. Their voices were more muffled to your new ears. You were used to listening through fluid, through skin. Your eyes unfocused. You knew them by the scent that is so unmistakably their own. That scent that you only notice in their absence. A puff of smoke, like magic. My mother has been dead for fourteen years and I still have a scarf of hers that I take out and smell every once in a while if I am feeling like I must. It is a small torture. I am that baby again, reaching up to her. Continue reading

Literary Flaneurs: Michelle Bailat-Jones

 

A guest series curated by Jeffrey Condran. Project intro here.

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Fullscreen capture 882014 90551 AM

 by Michelle Bailat-Jones

 

 

1. At the top of the toes, above the slender metatarsals and those little phalanges, sit three small wedge-shaped bones—the cuneiform bones—that help to create the arch of the foot.

2. Within the larger Kirishima Mountain Range, there is a smaller ridge dotted with several peaks that runs across the center of the island from Mt. Karakuni to Mt. Takachiho. The tops of these peaks rise above the forest with terrains like moonscapes—covered in scrubby plants, pebbles, and dust. Craters dot the ridge line, some dry, others filled with sparkling blue water.

3. In the 15th century, a Venetian traveler named Giosafat Barbaro visits Persia and sends back reports of a strange and indecipherable writing found on clay tablets and on the walls of ancient city sites. Continue reading

Literary Flaneurs: William Lychack

A guest series curated by Jeffrey Condran. Project intro here.

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East of Vienna: No Small Journey

by William Lychack

As a kind of prologue, I want to say that this story has absolutely nothing to do with my present-day life and work. I want to see this all as just a little detour my twenty-year-old self took to go find Dracula. I need to tell you how this little episode has no practical bearing on who I am today. And yet still, in some ways, I feel those days in Romania have everything to do with my life and work. In many ways, going to that castle defines who I have come to be.

It’s Winter, Vienna, 1986, my junior year abroad, and somehow Reed Thompson and I have gotten it into our heads to visit Dracula’s Castle. A lark, of course, a caper, a forbidden little spree for us, the adventure of Reed and I journeying behind the Iron Curtain, two of us taking the slow train east to Budapest, to Bucharest, to Bra?ov, tracing switchbacks high through the Transylvanian Alps, deep into the green heart of Ceau?escu’s Romania. We grow weary with travel, eat nothing but grim black bread, the constant rocking of the train carrying in our bodies after we step onto the small station platform in the middle of the night in the tiny village of Bran at last. Continue reading

Literary Flaneurs: Andrew Ervin

 

 

A guest series curated by Jeffrey Condran. Project intro here.

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Soles-on-the-Ground Time

by Andrew Ervin

 

For years I was obsessed with a place I’ve never been to. Over a decade ago, on our honeymoon, my wife and I took a long walk along the coast of Islay in Scotland’s Inner Hebrides. The rain is what I remember the most—there was no fighting it, no staying dry. Through the mist we could make out the next island over, the all but inaccessible Jura, which was where Orwell wrote Nineteen Eighty-Four. The fact that he had to get so far from the seats of political power to write about Big Brother remains a source of fascination to me. We were unable to get a ferry across in the limited time we had so we continued our walk along the embankment. I can still smell the peat smoke and see those hills—the so-called Paps of Jura—across the sound.

The not-quite-getting-there sensation of being so close to Jura gnawed at me for years afterward. I began to imagine what life was like there. I would catch myself inventing the people—or cartoonish versions of them, at least—and the houses and the glens I never saw. Those thoughts eventually congealed into a novel, Burning Down George Orwell’s House, which will be published next year. The book begins right there, on that embankment at the ferry port. Like Orwell, my protagonist escaped the bustling city—Chicago, in this case—and got off the grid. Or attempted to. Continue reading

Literary Flaneurs: Stewart O’Nan

 

A guest series curated by Jeffrey Condran. Project intro here.

 

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The World That Matters

by Stewart O’Nan

 

 

When I’m writing a novel, I like to do location scouting as if I were shooting a movie.  If possible, at the very beginning, or at least early in the first draft, I go to the actual setting of the book and drive around taking pictures, looking for where I might set scenes.  As Laurie Anderson says, “Let’s put some mountains here so the characters have something to fall off of.”

It rarely happens that I find readymade settings.  Or maybe it’s that the ones in my head are better, more evocative than the ones I run across in real life.  It could also be that I’m a terrible location scout—impatient to get back to my desk and the world of the characters. Continue reading

Literary Flaneurs: Jeffrey Condran

 

A guest series at PANK Blog, curated by Jeffrey Condran

 

In 2001 Bloomsbury inaugurated a series called The Writer and the City. In the first book, Edmund White wrote about Paris.  The title was The Flaneur: A Stroll Through the Paradoxes of Paris.  White provides a helpful definition of flaneur: “A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search for adventure, aesthetic or erotic.”  It is an idea that has always held for me an air of romance and mystery, and puts me immediately in mind of Henry Miller, who in his frequently impoverished state, wandered the Parisian streets in search of diversion and inspiration.   And so writers walking a place and gaining inspiration serves as the theme for the blog posts during the next two weeks at PANK.  Contributors Stewart O’Nan, Elise Levine, Andrew Ervin, Michelle Bailat-Jones, and William Lychack will join me in taking readers on an international tour of places where being a flaneur has had an impact on a particular writing project or on their careers as writers.  We will visit Prague, Paris, Toronto, an island in Scotland, a Japanese village, and Dracula’s castle.  Enjoy the ride! 

 

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Prague is Silent

by Jeffrey Condran

The moment I emerged from the subway in Wenceslas Square, I understood that Prague was a city meant to be seen on foot.  Perhaps it was the human scale of the place—no breaking your neck looking up at skyscrapers as in New York—what Henry Miller called those “beautiful white prisons.”  No, Prague’s architecture is 500 or 1000 years old, mostly, miraculously, untouched by the 20th century wars that destroyed so much of the rest of Central Europe.  It has a time capsule feeling about it, even now, despite the ravages of two decades of capitalism.  You feel it’s almost possible to take a good running leap and hover just a few stories—a handful at most—off the ground and see everything.  Continue reading

Beautiful Ashes: Shelley Puhak

 

Presented by Jen Michalski, for PANK. For a description of this guest series, click here

 

 

Arthur, on the History of Anxiety


which starts with the river and you who were lured
and we who languished, who took no
chances, said I’m not going to try

to float across on that and so survived.
Where the Patapsco is bridged with steel,
you launch that raft and someone else

paddles back through storm’s
pooled light. One who wades
through daylight, reciting:

Hard rock of the piedmont begat tidewater
plains, widgeon grass and wild rice. Begat
mill and merchant prince, sailing vessel and

steamer, begat things like sock garters and
high silk hats. Begat what runs alongside:

the snort of the steel horse and the huff
of the mother, ever-steeled, who begat
galloping heart and EKG machine.

 

O, the authority of rivers and
the awful wall of us—mast and sail,

mortar and rust—pushing back.
And who is left to clean it all up? we

who took no chances, and so survived
to pick through your slough —cast-iron

skillet, rocking horse head, ’67 Thunderbird
manifold, blue-glass chaff, electric typewriter

keys, garnet rosary beads, and the mill
workers’ stone homes, brick by tumbled brick. Continue reading

Beautiful Ashes: Elise Levine

Presented by Jen Michalski, for PANK. For a description of this guest series, click here.
 

“Public Storage Available Now”

Inside the Queen’s Little Queen® — butter, a toy syringe. Her tender tissues burn as if bee-stung. Spread wider — the Queen lofts three Cheerios in the candlelight. Clot of red thread spirited from the Dowager’s tin sewing kit. A darning needle — the Queen’s Little Queen® bites back a gasp — blackened under a match’s sizzle then mon dieu withdrawn at the last second. Her thighs quake. Chub. Big baby at nearly thirteen. La petite ami since forever. All service. Stocked and restocked — a yellow button now for the Queen’s granny in the nuthouse. Errant dad, his newest hot-shit-in-waiting, their squelchy contortions accomplished to great fanfare in a downtown love-pad — why not this jumbo plug of orange-flavored Bonne Bell lip gloss? Holy merde. Above, cut-out mirrors from Versailles flare, camels and albino elephants from National G sway from safety pins affixed to the bed-sheet canopied along the ceiling. Rubies flicker. An armoire’s carvings of toucans and vines dip and swoop, monkeys chatter like teeth, rumors of an interior inlaid with tiny and tinier white ivory drawers, stuffed. La reine’s dominion laid in by the fistful, the pound. In one of those drawers, a Queen’s Little Queen® — all cunt. Continue reading

Beautiful Ashes: Dario DiBattista

 
 
Presented by Jen Michalski, for PANK. For a description of this guest series, click here.
 
“On Selling the Past”
 

I’ve only stared down a rifle once. A Chinese model SKS, equipped with a fold out bayonet. Not that it mattered with the originally Soviet-designed weapon, but it looked clean enough. No doubt, when the trigger was pulled, the cycle of operations of firing would perform as intended, and my life would end.

Time stopped as I glanced into the black hole of the barrel: that warped darkness no one knows until they come upon it; the shadow area that’s unexplainable in the physical world; the place of the moment of no return.

I knew because I had armed it, the chamber of the assault rifle was locked and loaded, ready to go. Just one bullet. One shot, one kill. I tried to stare at the tip of the 7.62 mm bullet encased in the brass shell, but I couldn’t see down into the barrel that far. Still clutching the hand guards, I raised the weapon to point it directly at my skull. I wondered if I could use this killing instrument to blow out the images of the pain I didn’t want anymore. When I pulled the trigger with my toe, would they splatter behind me like scenes from a projector screen?

Would the vindictive scowl of the woman who shredded my heart smile onto the white wall of my apartment bedroom? Would the images of flag-draped coffins and the ghosts of my murdered friends salute the red and white stripes? Would the EMTs be able to watch the blackout memories of a year of self-destruction arrange themselves as rows of liquor bottles like Arlington headstones glistening against a scarlet sunset?

Or would my memories stick like putty, pasted in place only as globs of spongy brain matter with cascading blood leaking down to the carpet?

Would anyone care either way? No one, I guessed, would want to see the inside of my head.

But I pressed the cold metal against my forehead anyway.

***

A bunch of my friends and I all joined the Marine Corps after high school. Many of them have since become cops. Apparently it’s the only civilian job that equates to the experiences of military service. I’ve asked them and several other law enforcement officers in Maryland about the proper way to travel with a rifle, and none of them have seemed to know exactly what the law forbids. So I slammed my rifle – wrapped inside a fifty-five-gallon trash bag – into the large trunk of my overused and under-repaired Lincoln as I prepared to go.

It was a bright sunny day in July when I entered my vehicle and followed my GPS to Bel Air Gun Supply and Pawn off of Route 1 in northeastern Maryland. Before closing the trunk and leaving, I had walked the gun out in the oppressive daylight, in full view of a cul-de-sac of judgmental luxury townhomes (I was living cheaply in a friend’s basement). I was headed out to sell off the memento of my almost self-murder.

I could not afford to raise my fuel costs by using the AC, so I lowered all the windows as I sped along towards the shop. An unceasing whistle of wind that was being funneled into the trunk, screeched like a boiling teapot. I turned loud music even louder and nervously rolled my fingers along the steering wheel. Sweat pooled under my armpits and lower back. The digital thermometer on my dashboard read 108 degrees. No, that couldn’t be right.

I had gambled big this summer. With the semester over and the rest of my writing program living it up at a conference in Florence – a trip, despite its connections to my Italian heritage, I might never be able to afford – I had to find work. No school meant no student loans or G.I. Bill living stipends showing up in my mailbox as fat monthly checks. I had betted that I could make a living as an artist, prostituting my struggles, making art of the trauma of life after war, for a nonprofit website called Not Alone.

Yes, they said, we have been wanting to work with you more! What ideas do you have? Upon my suggestions, I made them a documentary and created a magazine for returning veteran college students. But the freelancing money wasn’t really enough. And it didn’t show up in time for my bills.

I had already sold my elliptical machine to pay for rent this month. And now the utilities were due.

So I drove ahead on my mission: on selling the past.

***

It was a random online photo of my ex, Lauren (a comment she left on a friend’s Myspace page that showed her new look), that had brought me to this moment. Damn her beauty. Firey red hair like the sun dipping into a sea. The face of a polish princess: digitally-enhanced in its beauty, a stunning attractiveness both devastating and unobtainable. Her image already haunted me everywhere I went, so I tried to banish her from my mind and not look at old photos. But this picture on my PC stood out like a muzzle flash in the dead of night. It called to me as the siren of my suicide. Damn my failures. Fuck my deficiencies. I locked the door as my roommate drank alone and numbed her mind with late-night cartoons in the living room, the TV screen flashing against her darkened form.

I had met Lauren at Chili’s in between my deployments to Iraq. Ours was an age-old restaurant tale: the hot young hostess and the edgy waiter.

Our romance sparked quickly. I would take her home from work sometimes and park my car along quiet forest-side roads. We’d hop in the backseat and grab and grope each other. She liked to bite my shoulders and claw my back. Against my sexual motions, she’d arch her back like some glorious roman monument, our wild breathing syncopating the passion. Concealed by a smokescreen of condensation, she’d curl into me when we’d finish. I would stare at her and she would stare at me and we would say nothing. With her head in my chest, rising with my pulse, my arms around her, I felt as blessed as the richest king.

When I went back to Iraq a few months after meeting her, she wrote me daily and drew me pictures. She scribbled hearts under her name and marked the envelopes with lipstick. I loved her then and she loved me. But when I returned home I became an ugly person – filled with rage and sorrow, prone to excessive self-medication. I had morphed into a manic man I couldn’t control. I scared her away, and she hated me for it still.

Lauren used to dye her hair red for me because I called her my cinnamon girl. Now, I believed, she had only changed her hair back to that color to spite me. She did it to show me how happy and confident she was. To brag about her beauty. To make me feel hideous. To cause me to feel chest-aching guilt and regret. To impress upon me the notion of self-murder.

Just quit, you pathetic motherfucker. You’re worthless.

If just a photo of her could ruin me, how could I ever hope to live for any future? I’d have more moments like this one: a content and daily self-destruction punctuated by moments of thundering despair. She’d appear again somehow. She always did. Usually in my dreams.

If I didn’t pull the trigger, I knew I would have to later.

Do it, you piece of shit. Do it.

***

I parked in front of the small shop on a narrow strip along the main road. Construction leftovers decorated the open area adjacent to the store: pallets of cinder blocks, wood scraps, and piles of thin gravel. I popped open the trunk and grabbed my rifle. The procedures for going inside were somewhat complicated: stand in front of the caged door and hold the buzzer – wait – then pull the door hard.

Upon entering, I observed the store’s selection out of curiosity. Because of the Corps, I’ll always have an affinity and fondness for things that can kill. Minus a small table of random football memorabilia – a signed helmet by Ravens’ linebacker Ray Lewis, and other football gear – it seemed like a typical gun store: deer heads and other taxidermied animals on the wood support beams; cardboard boxes overflowing with holsters and ammo belts; rows of rifles along the walls behind a long display case of hundreds of pistols. Dozens of bumper stickers stuck on a large gray cabinet. One was emblazoned with the Eagle Globe and Anchor of the United States Marines. In bold, black letters it declared: “To err is human. To forgive is divine. Neither is Marine Corps policy.”

“Can I help you?” asked a short blonde woman in her mid-forties behind the counter. She wore light jeans and a tight blue t-shirt, a pistol attached to a cartridge belt looped around her waist. She looked like the kind of girl who could out-drink you and, while still wasted, shoot a gnat’s ass from two hundred meters away.

I placed the trash bag on the counter. “Yes, please. I want to sell my rifle,” I replied, pulling it out of the plastic. “A Chinese SKS.”

“You don’t see many of those models; where’d you get it?”

I just wanted to get rid of the fucking thing. “Another store in Parkville. Long ago.”

“How much you want for it?”

“One hundred,” I replied quickly, as I had thought about that number for the entire trip.

“Give me a sec, hon,” she said, grabbing the rifle to inspect it. “I think we can do that.”

I waited for a long time. She broke down the rifle partially and shone a light through the barrel. And she traced a finger along the inside of the chamber.

“I haven’t taken care of it, but I know those things really don’t need to be clean,” I said anxiously as she methodically checked the weapon. Marine Corps lore is filled with stories of this same kind of rifle working without jamming in Vietnam after lying in the mud or being buried for years. We were taught to respect the enemy’s weapons.

“Eighty bucks,” she said suddenly.

I had hoped to have enough for a week or two of Taco Bell bargains. But, my share of the utilities was seventy-five dollars. “Done,” I replied, happy to get anything. I detached the tan-colored sling, which was the same one I used for my M16 rifle in Iraq.

“I got too many of these damn things,” she said about the type of rifle, “but I like the bayonet,” she finished. Unlike the easily found Yugoslavia models of SKS, the Chinese SKS was unique because of its triangle-shaped blade that causes a wound that is meant to be infectious and hard to patch up.

I wondered how many rifles she purchased that had been used in death, or were once primed for the moment of the kill.

I was at the bottom again, this time financially. But thankfully I could now sustain myself for one more month. I had at least one more month to try to reach my dreams.

I didn’t shoot because I had seen at my friend’s funeral a year earlier what a war death can do to a mom. I stared into her vacant eyes that were devoid of feeling and tried to express an appropriate sympathy for the passing of her son. But there was no comfort for her. And there was no comfort for me.

I thought about how my mother would look at my funeral. In the black hole of the end of my rifle’s barrel, all I could see was her face, wearing a darker torment I reasoned, than my broken heart and poor mental health. They say nothing is worse than burying your kids.
I didn’t shoot but that didn’t mean that I was well. I decided I still wanted to die, but I would let the war do it for me. Several months later, I was stricken with mono and strongly encouraged not to deploy a third time. I thought it was God making things clear for me.

Not uh, buddy. I still have work for you.

Though I would sell it too in pursuit of my dream if it had any value, I still keep the bullet. It’s stashed in a jar of objects that make up the story of my life. Inside it is a keepsake from every job I’ve ever worked, a note a girl gave me in high school, a volunteer wristband from every folk festival I’ve ever attended, a map of the Appalachian Trail, my old dog tags still wrapped in tape so they didn’t clink together while on patrol, other secret things. I want to show this jar to the woman I will marry one day.

I will want to show her how important my life is when measured against the bullet.

***
Dario DiBattista’s work has been featured in The Washingtonian, The New York Times, The Washington Post, Connecticut Review, and many other places. Additionally, he’s been profiled in The New York Times and other places, and has been a commentator on National Public Radio. His editing projects include 20 Something Magazine, O-Dark-Thirty, and jmww. He’s seeking publication of his books Go Now, You Are Forgiven: A Memoir of Love, War, and Coming Home and The Contagion: A Novel.