A call to the arms of love: on the love of film as a politics of film, on critique-as-love and love-as-revolutionary-force, in memory of Alexis Tioseco, Nika Bohinc and my father; or, another letter I would love to read to you in person

 

On September 1, 2009, Filipino Canadian film critic and founder of Criticine, Alexis Tioseco and his girlfriend, Nika Bohinc, were killed at home in Quezon City, “in an apparent burglary staged by three armed men who fled the scene.”

From Gang Badoy’s “Alexis, viola (or the death of Alexis Tioseco)”:

Alexis is dead. He was murdered on the night of Sept. 1, 2009. I know this because I saw him dead. Not in the solemn way that we are accustomed to- prepared and lying in peaceful state but face down and crumpled on their kitchen floor with his girlfriend Nika Bohinc almost beside him. Nika was a respected auteur herself, hailing all the way from Slovenia. The two met at the Rotterdam Film Festival a few years ago, both fell deeply in love and built a high-powered partnership mantled in a gentle relating together.

When Alexis died almost everyone near him focused on remembering his life, celebrating his work, reveling in his love for film and passion for saving Philippine Cinema. I suppose it is normal for human beings to ask for the cause of death- in passing- and when found too difficult to stare at- we focus our pupils elsewhere. We toast to him and comfort ourselves with the illusion that it was after all “a full and good life.”It works for a few months but not for me who saw exactly how he fell, less than two hours after his murderers left (what is now known as) the crime scene.

As difficult as this is for you to read and for me to write, it needs to be said that Alexis died by violent hands. It was not clean and there was nothing graceful about what I saw. I can always use euphemisms- God knows I have been- but not today. I want to cut the ribbon of The A/V Club with truth.

The truth is Alexis was beat. He was bruised and his right hand shot. His left hand’s middle finger had something around it. I stared at it for a while, thinking it was a ring- I never remembered Alexis wearing jewelry so I had to strain and look through the blood and saw that it was his house key in a ring. He was shot while he was still holding the keys to his home.

I will never be able to describe how it is to see the crime scene investigators mosey around him with characteristic city-hall indifference. All I could do was remind them over and over to be thorough. I barked orders at many of them that night in the kitchen, so much so that after a while they started calling me “Attorney.” I would ask if they’d dusted the chair or the bottles for prints. When asked why I was allowed inside the crime scene I lied and said I was Alexis’ legal guardian and that I was a student of forensics and that they should just take my word for it. In my mind, Alexis and I had a good chuckle because he is (was?) aware that all the forensics I know is from watching CSI.

I stood guard watching over Alexis and Nika pacing around them, kneeling beside them every now and then to make sure they were comfortable- a most absurd thing given that they were already dead. I am not mincing my words now, am I? I am sorry if this disconcerts you but it is the truth. And the truth is we have to be brave enough to talk about their death. I know we have to continue remembering his life and celebrating his life’s work- but f*ck – shouldn’t he be living it instead? Tonight I am angry. I am sad. I am resolved. And then I want to forever look the other way. I want to forget but I need to remember. There are reasons.

Alexis and Nika were murdered and today, over six months after, there is still no progress on the case. His sisters and brothers, our shared good friend Erwin Romulo and I have wrestled through administrative meetings with the police, a general, the former Secretary of Justice Agnes Devanadera, you’d think with all our connections we’d get somewhere-still nothing. The courtesy calls to the heads of these departments were hell. We’ve witnessed the Forensics Department go antsy when they found out we consulted a private forensics expert, the big title game- and the delay of releasing documents because of red tape and ego. All hell. All hell to all the players in this game as I cling on to my childhood belief that both my friends are in heaven.

Continue reading

Scattered notes on love, counterpublics, queer time, the care industry & Frank Ocean's "Thinkin Bout You"

From Dr. Herukhuti’s Ocean’s of Love Letter: Is one black man loving another man the revolutionary act of the 21st Century?:

In choosing to communicate through the simile, “I feel like a free man,” rather than saying he was a free man, Ocean provided us with a painful truth for black men in, what Ibrahim Farajajé (formerly Elias Farajajé-Jones) in his essay Holy Fuck called, a “dominating culture [that] expends incredible amounts of time, money, and energy controlling and policing our bodies and the ways we decide to use them.” By not definitively claiming and owning freedom in the journal entry, Ocean acknowledged the task at hand for him and other black queer men, as Farajaje described, “the physical/spiritual/psychological process of making our bodies and our desire our own.” It is a process—rather than a destination to which we arrive and reside—that will not allow for easy definitions of who we are or interpretations of our artistic or life choices.

Supporters and detractors of Ocean have made the themes of his album and his Tumblr post mean much more than Ocean himself may have intended. In 2012, some folks find it more provocative that a black man has loved another man than if he had done violence against one. Joseph Beam once wrote, “black men loving black men is the revolutionary act of the eighties.” Honoring our capacity to love other men and women in a society that makes it more easy to use and abuse others is the work of making our bodies and desires our own. Ocean clearly seeks to put the work into that project, at least for the time being. But one young, gifted black man does not a revolution make, particularly if he is still understanding his relationship to that revolution. Revolutions require many committed others working “in sober uncompromising moments, to reflect on the comedy of concern we all enact when it comes to our precious images!” Where’s your love letter? How much truth does it tell?

Continue reading