Work: Surviving the Arts–What If I Don’t Want The Future?

~by Scott Pinkmountain

The Rumpus Interview with Miracle Jones (May 6, 2013) is a thought-provoking read. Miracle Jones is an enthusiastic and articulate proponent of new ideas and developments in publishing and the lit world, and he is very much putting the practices he advocates into action. His distaste and distrust for the New York publishing establishment is matched by his entrepreneurial spirit and his sheer positivity and optimism for new forms. And he’s an interesting writer, so the stories he self-publishes (in USB drives or online) are worth checking out. While I was inspired by much of what he said in The Rumpus interview – the future of books will be as communal locations, not as commodities, the publishing world should be globally distributed, not centrally located in NY and London, releasing a book on a USB drive allows you to include video, sound, images, multiple versions of a story, etc… – I was also left with a lot of questions. The biggest among them being simply, “What if I still like books?” And not just as a reader, but as a writer. What if I don’t feel a digitally self-published release carries commensurate significance to the effort I’ve given my work?

I put this question to a friend of mine, Heather Abel, a writer living in North Hampton. Heather is working on her first novel and would ideally like to see it published through traditional channels as a bound hard copy.

“I would definitely weep if it were not made into a tangible, held-in-hands, paper book,” Abel said. “Right now it exists in a document on my computer, and I know, on some level, that’s all any book is – the collection and arrangement of data, easily erased Continue reading