I I flick the little banister and cause it to quiver. I enter the attic and unleash a dust storm. I fashion a chandelier from tape, half a doily, and string. I ignore that it drapes onto the kitchen table and chairs. I contemplate the dishwasher. I leave it alone.
An Imaginary History of Performance #3: white glove
Robert Glick
Wear latex gloves. All day, all night, one week. To Rainbow Grocery, the Amnesia Bar. White, too pure, preferably. Let them believe that your hands, if outed, would suppurate yellow sores. It’s 1995. San Francisco. You ridiculed the plans for your neighbor’s helicopter pad: a bulls-eye or a medcross on the undraining roof.
Et Tu
Jim Daniels
I hated my parents. I loved my parents. In the way of teenagers worldwide, though then, since I was a teenager, I strode my capital I self-important/conscious/absorbed down the gritty rubble of Rome Street like the star of my own music video when I had yet to write the song itself.
Two Poems
Marty Cain
Arcadia [wpaudio url=”/audio/8_3/Cain1.mp3″ text=”listen to this poem” dl=”0″] Bodies close, backs in the dirt, safe behind our zippered door. I grip your wrist & stare where the tent beams meet. We hear the trees cry. Then we are rustled awake – my god, you say, someone’s out there.
Mining
Michelle Bailat-Jones
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Three Poems
Sara Backer
Crocodiles in Real Life [wpaudio url=”/audio/8_3/Backer1.mp3″ text=”listen to this poem” dl=”0″] The zoo did not prepare me. Captive crocodiles are dry. You see the whole reptile: bulk, scales, teeth. You know they can kill you, but the cage keeps you calm.