A young kid in his mother’s
basement makes plans. Soon
he will ask Heather out. He
will lean against his locker
and play it cool. What’d
you do this weekend? Me neither.
He carves another hash mark
into an old desk with a
blown-out pen he used
to write love letters he never
sent. Soon he will stop
throwing up after D-period.
His friends will not hook
their camera up to the class
TV, press play, and wink at him.
His latest dare not broadcasted,
so he won’t have to stand in front of the
screen to block it, point a finger at them,
and swear. Then he won’t
rush to the bathroom to scrape
what’s left inside, out. Soon.
Soon he will tell his mother. Cages
have to feel more comfortable
than his head. Tell her he’s rehearsed
daily interactions more than
Broadway actors. Still he can’t
get them right. A black marker
is black. It has a dark cap
and a white base. It writes
in straight lines if the writer
can stop fucking shaking.
Soon he will tell his mother
that he’s seen the school counselor
and that describing things in as
much detail as possible is a coping
mechanism to still the everlasting
seizure of anxiety. Heathers’ lips
are thin. Dark red. Almost perfect
lipstick. Brown hair that she obviously
straightened this morning falling
beside her pale green eyes. She blinks
longer than a standard blink. She sighs.
Her chest expanding tight against her
shirt. The way her mouth forms “No”
reminds him of that rip in his bike tire
two summers ago. He remembers
picking that rock up from the ground
and aiming it at the shrinking image
of his friends who kept
on riding without him.
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David Walker is a husband, father, and teacher. He holds an MFA in Poetry from Southern Connecticut State University and his work most recently appears in Thistle, Poetry Breakfast, After the Pause, and Poets Reading the News. He is also the founding editor for Golden Walkman Magazine.