Chosen By: Ally Nicholl
Bullseye Books, 1988
272 pgs/$6.99
I discovered The Phantom Tollbooth at the appropriate age and in the usual way. I was about nine, and it was a battered old copy I came across in the schoolroom shelves during a period of silent reading (a part of the curriculum unofficially known as ‘teacher needs to get the marking done or she’ll be taking it home’).
Choosing a book for silent reading was a serious business. Once I made my selection I was stuck with it until the book review at the end, and the week before I’d suffered through a dismal tale about a young girl’s friendship with a seal so I was desperately in need of something fun. I’d never heard of The Phantom Tollbooth, but it promised fantastical adventures and had a funny dog on the cover.
My subsequent review, which was meant to be a paragraph saying ‘I liked/didn’t like this book because’, ended up more like a dissertation. I clearly felt I couldn’t convey just how awesome the book was without retelling the whole story in a garbled gush. It had everything – a daring quest, a likeable hero I could relate to, endless surprises, quirky humour and edible words. I wanted to be Milo, to find a mysterious tollbooth in my bedroom and go for a drive through a thrilling magical land in my own car. I wanted to conduct Chroma’s orchestra as it played the colours of the sunrise, and wave to the cheering crowds after I helped restore the princesses Rhyme and Reason to the Kingdom of Wisdom. No reading period ever went by so fast.