Throwback Thursday: 3 poems by Kevin Phan

Throwback Thursday is a monthly series that re-visits work originally published in [PANK] Magazine. 

Wow! 2019 was a wild ride. I had a beautiful time. Camping under the stars. Firing off submissions to literary journals. Trying out new recipes. Working myself like a dog. And winning the Mountain West Poetry Series. (Shameless plug.) My first full-length collection will be out in the Fall of 2020.

I also had a wonderful time reading your work, too, dear reader. I spending countless nights browsing literary journals, falling in love with language over & over. For its richness. For its compactness. For its tautness. For the ways that it luxuriates on the page. For all it says & the things it withholds. So many of the capabilities have felt negative.

I’ve also been listening to classical music to pass the time. Yesterday, I attended a live performance of Rachmaninoff’s piano concerto no. 3, performed by the Colorado Symphony with Brett Mitchell at the conducting helm, & all I can say is that I left with my heart full of dark water. A bittersweet chocolate you can live inside. Also, I’ve been reworking my way through Mahler’s symphonies chronologically, one-by-one. And what a treat it’s been. Yet the most soul-satisfying experience I’ve had in recent memory has been listening to Henryk Gorecki’s Symphony no. 3, where Portishead’s Beth Gibbons sings the operatic parts. Sinking inside her trill lush hauntings has been a highlight of my winter.

While being published in PANK was a wonderful experience, I never heard from you, dear reader. Feel free to shoot me a message if you want to reach out to shoot the shit about language, poems, recipes, travel stories, or to grab a beer if you’re ever in the mountain west. (Colorado, to be specific.) kevinaphan@gmail.com.

–Kevin Phan

[Kombucha & skincare]

*

Kombucha & skincare. Ointment & rice paper. Oil changes, jasmine dreams, sun salutations. I pray alone. For everyone. It floats up & through my living kitchen. This need to smooth in. Feelings, big as barns, gliding toward the sun. Lost in bright confusions, bone cancer at the center–she loved us once. Does god care for shipwrecked vessels, tending to the sick as their bodies, one-by-one, disintegrate beyond trembles? A feel good comedy, except some people, or flesh approaching compost. & In the book of Now, world’s gone wild.  “May all beings reach enlightenment, quickly.” (All the bats of the universe geolocate inside my prison cell.) Precious human birth–life I plan to taste just once–what’s one pure act I’ve done? A lyric running down my godless honey scraps. What a lesson. Something about how hunger swells us close to education. 

[Childhood’s sweet, rotten gospel]

*

Childhood’s sweet, rotten gospel, coloring my words & tongue—Presbyterian, Methodist, Unitarian, Baptist, on & on. May I learn to love again, for the first time. White eternal of my comforter snowing my room–bright flower, bright flower. Gutters, jamming with Fall’s rot leaves. I pledge Allegiance. Mother’s voice keeps calling to me in dreams. Says“in death we’re stronger than ourselves.” (Our Maker, neither punitive nor male.) Morning meditations into universal Love, praying alone for everyone, yet I fail to feed the birds! Eternities’ shadow breeds in my mind, raining a patch on the shed’s rusty nails. We’re overlapping presences. Jade rabbits enter purple heavens. There’s just no cure for that. I want to light every necktie on fire. I want to go slopping ‘round the ocean in a casket, amigo to whales, reeking storms & ancient secrets. 

[Just as time erases kisses from my body]

*

Just as time erases kisses from my body. Just as my family bows down to sadness & cancer. & I fall into dreams rehearsing the Dictionary of Distant Angels. & Rise from morning hay, clean as a salt lick, in a field of long division. I pray alone for everyone, recalling the Diamond Sutra. “However many beings there are in whatever realms of being might exist, whether they are born from an egg or born from a womb, born from the water or born from the air, whether they have form or no form, whether they have perception or no perception or neither perception nor no perception, in whatever conceivable realm of being one might conceive of beings, in the realm of complete nirvana, I shall liberate them all. And though I thus liberate countless beings, not a single being is liberated.” 

KEVIN PHAN is a Vietnamese-American graduate of the University of Michigan with an M.F.A. in Creative Writing from the University of Iowa with a B.A. in English Literature. He is a former Helen Zell Writers Program Postgraduate Fellow at the University of Michigan, where he won the Theodore Roethke & Bain-Swiggett Poetry Prizes. His work has been featured (or is forthcoming) in Columbia Review, Poetry Northwest, Georgia Review, Conjunctions (online), Crab Orchard Review, Fence, Pleiades, Gulf Coast, Colorado Review, SubTropics, Crazyhorse, Hayden’s Ferry Review, & elsewhere.

Throwback Thursday: “Interstitial” by Ellen Devlin

Throwback Thursday is a monthly series that re-visits work originally published in [PANK] Magazine. 

Since Interstitial was published in PANK, I have been working on a full- length collection of poems that considers objects that are no longer in the world. Some are animated by the person who had worked with the object, some are alive themselves. So far, the project feels like an inquiry into the many spaces ordinary things occupy and how they bind us to them. Recently, I studied at Bread Loaf ‘19 and the Hudson Valley Writers’ Center and I have also begun a cartooning practice. I’m following the great Lynda Barry’s direction in her new book, Making Comics, to shake up my writing and broaden my perspective.

~ Ellen Devlin

INTERSTITIAL

1

liminal
icy lake of unknowing
glace
pummeled fruit-heart
of the matter
distinct from energy
distinguished:

Latin dis– ‘apart’ + stinguere ‘put out’ (from a base meaning ‘prick’). A small sorrow, slang: penis, vulgar : a spiteful or contemptible man often having some authority. Authoring laws, restrictions of movement. I am not moved by their sorrows.

2

longing
miles of asphalt
no propellers
humid

longing                                       

3

Do you remember growing
a body with an electrical charge,
lightning, you curved and curled
into another’s hollows, left park grass singed
beneath you hiss and steam, light shining
from the spaces between your teeth?
Now, I hardly remember the sound of desire. 
It’s a pillowed hammer, soft, without insistence.

4

Who is god?
earth, man
this likeness
a beginning
everywhere
all things

a beginning, everywhere
all is infinitely perfect

distinct, and equal in all things
nature and substance

create heaven and earth by
a single act

man and woman
holy
eat blessings
eat forbidden fruit
we share
original

6

1.How do we find nourishment in the death of others?
2. It’s a trick question.

Rita at the Toy Store

Barbie Hello Dream House, 2017

-still pink
-hi tec smart house
-equipped w/floor sensors
-speech rec
-girl in the ad smiles
-at six different Barbies
-still white
-impossible bodies

8

longing
a cleaving
a small empty boat,
a rocking

Directions: go in summer
on Sunday, look again at the house
where you grew up. 
Sweep another August
into hallways
pocked with insufficient rugs. 

9

I have searched this bus and there are no sleeping children.

awake     a fissure     in your skin     admitting     without your request     raucous wound

10
-diminutive
-occupying less space
-crouched
-body openings
-as invitation
-goddess

Izanami

Sunset is still bruising at five,
swelling through the deepening
wound of days. 

When you are sent across a bridge of clouds,
to birth a fire god, you will be immolated.
All gods are arsonists, and you
are already burning. 

What do you do with a creature who bleeds and doesn’t die, grows children in her body and feeds them from hers?

Solutions:

SQL constraints: used to specify rules for data in a table. Constraints are used to limit the type of data that can go into a table. This ensures the accuracy and reliability of the data in the table. If there is any violation between the constraint and the data action, the action is aborted. 

-ritual/accidental murder, judicial murder by silence, murder by mutilation
-restrict mocement, literacy, flights into lavender, sovereignty 
-flights into lavender

11
Already desert when you find her
moth larvae braiding in her hair–ghost blossomed
in a graveyard of her own making. 
What else could she do?
Then your slow wind gentled her,
quickened her. She drank you,
your scant April rain. 

ELLEN DEVLIN is the author of Rita, and a forthcoming chapbook, Heavenly Bodies at The Met. Her poems have appeared in in The Cortland Review, Ekphrasis, Lime Hawk Review, PANK, The New Ohio Review, The Sow’s Ear and Women’s Studies Quarterly Review. “Border”, a poem from Rita, has been nominated for a Pushcart Prize.