Call & Response

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When did you know you were gay?
my boyfriend asks in bed one night.

And I tell him it was at church camp,
age thirteen, when David, the boy

in the top bunk, shook our beds
in what he claimed was a nightmare

sent straight from Lucifer, the fallen
angel himself. I know now this living

is neither dream nor terror. But also,
this is all a lie-it was earlier, age six,

when my mother and I drove away
in the night. Near dawn we rested

at a truck stop, where she cried,
ordered us ice cream and Diet Coke.

Where she pleaded with me-promise me
you will never trust a man. Never.

Between Them

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There is an old black and white photograph of
my grandfather and his brothers on the farm.
They are all strong men with thick forearms,
forceful, tall with rounded bellies,
bursting beneath dirt-crusted overalls.

I am not like my rough and muddy ancestors,
who churned boots through cracked fields
and pulled barbs from dry skin,
who called out to their wives,
“This little one here is bleeding.”

My father is just like them.
No smiles. Just this bleeding.
In photographs.
In real life.

Only, I see him in color.

His hands are rough on the back, white at the knuckle.
He will not tell me about his past, only his present,
and even then, there is a lot he doesn’t say.
It’s something about this shadow that spills from
him, falls over small-me, rests there like a cloak.

I am stringy and short beside these men,
my blood. Take me and try and place my frame
somewhere amongst them and snap a photo.
There is not enough space between them.
Look.

An Apartment of Women

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She just happened to be. Her anatomy was coincidental. Each breath could have been another’s breath. Her hair lost its way growing. Laila knew no way to go forward that did not involve sideways.

She found Nan or Nan found her in just such a confusion. Walls not where they seemed to be. Room after room dark as the inside of tunnels or of thighs. Pitchers, dampened tables-everything smelled of inside of woman.

There was a struggle of starts away and starts toward. An examination of the veins of the wrist to feel how thin the skin. In the inner ear, a recognition, as though it had heard her sound before.

They followed each other through streets that did not involve sky. There were cracks in the concrete. These streets had perhaps fallen. Laila and Nan tired their way through homes mistaken for their own. Ended in an apartment so incontrovertibly square it had no room to be anything else.

Nan’s hair wished down to that part of skin where shoulder struggles. She unlayered, sprawled thin on the sheets. The unwrapping of her ribs. Laila echoed deep in her clothing, found in its cover the nakedness of knowing what it constrained, the plottings of her skin and the organs blossoming underneath. The ways her body betrayed her, misshapes and fleshenings. She took Nan’s skin for her skin. It was a night of sorts. Her body so briefly alive.

They left themselves in that apartment for how long it takes to disappear. They shunned out cold, or tried. Leaks where outside got in. Sometimes a sound. Traffic. Neighbors that should not have been.

They were happy in each other’s hair. Ate only from cans, glass bottles, jars. All was stoppered and held in. Each other’s breath. They left themselves on the other’s body. Stained and purple. Scent.

They developed a method of communication involving tongue and little else. Words turned to gestures. Some phrases took hours. Silence only when their bodies were still.

They tried out forever, wrangled seconds, collecting them like pennies. They withdrew from the world, hoped to be overlooked.

They figured each other into creatures they thought they wanted. They covered themselves in something other than themselves, lotions and shampoos, synthetic blends. They left themselves on the other’s body. They bit. They wanted scars.

They let the world die around them. Apocalyptic scenes outside their window. There was silence on most avenues. They were no longer certain if there was road. When their doorbell rang they looked to see which of them had made the sound. Surely there was no one else.

The man who stood in their doorway was not at a loss for hair. He was growing from everywhere, regardless of altitude or texture of terrain. His was a landscape to which they were not accustomed. The ill-conceived roads of his face. His openings and how they wished them closed. His way of posturing himself was new to them. They could not understand his spine. They ignored time, each day the same, but he seemed a Sunday morning. A wrap of cloth tending toward robe. Same his slippers. His mouth hinted speech, guessed at a toothbrush’s proper usage.

Apparently there was a confusion, some malingering of mail. The man pointed at Nan an envelope more open than it should have been. Between speech still he was a thrumming in the ears-those sideways sounds, the herms and hums and movements of his mouth. The man left the envelope foreign in Nan’s palms. How long since her fingers felt anything but skin.

As Nan held the envelope, Laila thought on the neighbor and what was other, on why she and Nan had not yet made it through their days. In the apartment they were insides only. They were the splintered workings of Laila and Nan held together by skin. So fragile as to require caution. They kept the curtains drawn. So long as they kept out the wind they would remain together, their skin enough to hold them. So long as nothing else got in.

Laila looked at the envelope. None of the names was her name.

Nan put the envelope beneath the mat, shut the door. She hid it in her coat pocket or one of the few other pockets of space devoid of Laila. Tore it to pieces for the sound. Bookmarked it where it would be another nothing. Nan swallowed it or laminated it or left it on the kitchen table. Nan lost it, knew nothing more about it. Laila thought it everywhere.

These are pictures of destruction: a room without Nan in it. No one to turn down the tea. An eyelash without the brush of cheek. The kitchen counter clean of her touch. No crumbs. An apartment emptied of Nan. Heavy curtains graceless without breeze.

Nan grew tired of herself. She knew herself by heart. So much she in one small room. She wanted a cigarette, to trace the breath inside of her, proof that she was more than skin.

The night was thin and strangers passed through it as though it was nothing to have their way with the streets. The corner store was every store with its crinkled plastics and outside tracked in. Each aisle a block bricked of soup cans or detergent, creams to vanquish ugly, manners of fixing what must therefore be broken. So many choices of cigarette.

She stood smoking with the boys on their corner, ignoring their nameless attentions. She had always turned people toward her. The boys thrust words at each other and laughed up the breath of their cigarettes. She did not speak their language. Their jackets blustered around them.

Nan had known these streets before. The crumbling edict of their architecture. The bowed heads of streetlamps forlorn on their corners. A car horn, driver verifying existence.

The store turned off its lights. Nan sat on the steps leading up to a building not her own. Eventually the boys lost interest in swagger, settled for sleep. They left Nan for the places they called home.

As it became less and less a time of people, there was little to the night that Nan did not provide. She tired of her settling sounds, the creaks of her yawns. She had followed herself here.

Nan stood, was gathering her cigarettes, when from the streets there rose as though from deep within the brunt of her the barest hint of song. It strained from some unnamable place, one of many facades knuckled down and familiar, a structure never before worth distinguishing. Every building now a possibility. Nan lost purchase on the night. She wearied through her cigarettes until the dark was skinned of substance-raw pink of dawn.

That night Laila remembered what it is to be a child. The long hopeless wait of it.

Nan came home to a morning without night. Laila ensconced in sleep, head lost from pillow. There was no outside to her. This was Laila, all muscle and bone and murmur. The furls of her intestine. All the beauty of her breathing and the beauty should it stop. She was blood and mess, stomach and gnarl. A certain gore to the veins of her thigh. Nan touched where Laila stubbled, where her skin harshened, splotched its way to the color of another woman. If she could mangle the hour, twist time into staying. She unsprawled the curtain, waited for Laila to find the day.

Laila decorated the fire escape with rugs and drips of plant. She liked the sky, its quirks of cloud. She saw in the street what may have been beauty but this was close enough.

Laila wondered how many others had had this same thought of falling.

She retired to an armchair existence, watching Nan sidle elsewhere and listening for the hinge of her return. Nan brought back kills of wilted magazines and contraptions of limp feathers. Nan knew the right makeup. She could fool fluorescent light. “This is fashion,” Nan said, pointing to girls Laila would never be.

Empty afternoons Laila practiced her philosophy. What it was to snow. Whether her plants would wither. What of the birds and who had grown these buildings? She dawdled her legs off the fire escape. She did not know Nan’s direction.

She practiced how to distance herself from an afternoon. She took up coding, wrote messages she could not understand. She practiced how best to misremember the day. How to forgo tomorrow.

She practiced pain with a knife, with memories. Shimmed what was tender between plant tendrils and rail. Laila tensed her hand, examined the slide of tendon over knuckle, the worms beneath her skin. She practiced dusk, that confusion of light and dark, squinting as if there was something in the distance for her to see.

Nan returned from farther places. She brought back the way a cloud had fled and how the sun shards water. The unlayering of a truffle on her tongue. She took the severity of rockface for her own. She brought back bitterness and wars, a murky curl of river. Sunset behind something desolate. The industry of pollution. She brought the simple of small children and the complexities of their strollers. How easily snow is removed by touch.

Who could have known the following: the pieces of those places were soon pieces of Nan. She saw in Laila only the stricture of the apartment. She watched Laila when Laila could not watch her back. Laila-there was no other place but here in her. Nan knew her own world lay elsewhere.

Nan practiced terrible things. She wiled home in a stumble of strangers’ arms and taxi cabs. She emerged from the dark of the doorway as from the drear of Laila’s dreams, just as stupored and strange. She blundered her body in Laila’s direction. Laila endured, embraced, her, all the distance of wine between them.

Outside grew just as bitter. Laila hid on the fire escape in heavy coats but the cold still found her skin. Instead she set herself upon the apartment, on the weep of stuffing from couch cushions, on things she could repair. She set herself on the apartment’s smaller sheddings, brushed from mirrors the dust that kept her from herself. She took on linoleum stains. The decomposition of old photographs. These she removed from the dresser and where they hung, leaving walls bare as thigh. Laila cleaned the desk drawers of their paper. She saw little for her to save.

Nights Nan fell at her on the couch above the stitches Laila made that morning. The couch succumbed to the rougher of Nan’s maneuvers. She struggled to friction their bodies until roughed and reddened they gave up on finding what they were looking for in the body of the other. They sat on the couch’s opposing arms and hoped for morning.

They awoke to rumpled skin, postures unbecoming. Laila’s foot interfering with Nan’s thigh. They undid, the imprint of stitching on their cheeks. Soon their skin would smooth, the depression fade.

Later, Laila: “Pity me a glance.” She was as tired as can be human.

Nan located in certain of her magazines sections detailing real estate. Specifications and speculations-so many choices of home. She began to search these listings out, found magazines on wire racks chained to objects just as mobile. Displaced houses and the thumbed-over faces that could reconcile her and elsewhere. She specialized in splays of suburb, rows of houses painted a likely white. This could have been her childhood.

Laila saw in Nan an unanchoring. Nan deprived the apartment of her effects. It began with this and thats-hair clips and ballpoint pens. The smaller bits of change. Soon the clumsy pencils she bared to line her eyes. Her creams and lesser vices. Then her clothing and with it all the joy she took in beauty, in the slink and slay of fabric, in dressing her skin in another skin. Nan’s appearance became habit. Her shirts stole from the dresser. Her presence diminished with her property.

Laila: “There are things that you can keep from me but please don’t keep yourself.”

Someone was old outside the window. Dressed in scatterings of cloth and rag. Face too distant to be seen but likely requiring restoration.

“This must be old age,” Nan said. “More and more cracks in skin until the soul has room to escape.”

“How close,” Nan said. “How close I was to being something else.”

Evenings Nan walked in triumphant and changed. She walked into a room of dust and dim and Laila. Laila on the couch or in Laila’s chair or propped against whatever could hold her.

“What can I do?” Laila asked. “What of me can I lose for you?”

“You have created your own climate here. You don’t even know whether it is winter,” Nan said. “Can’t you feel the cold on my skin?”

There grew such a heaviness between them.

“I had never understood,” said Nan, “that to make a fist is to hold real tight to nothing.”

Laila took to herself. She found obscure surfaces, inks. The heads of used matches. Eyeliner stubs careless in the trash. She claimed backs of papers, undersides of tables, and sketched what might have been.

Laila peeled back paint to examine the strata of the walls: the soft blue of a child’s room, a study’s cigar brown. The bark of wallpaper, color long lost. Other lives had thickened these walls.

When Nan was near, Laila backed her way into closets, corners. She sat among shoes and dust. Even her sneezes were muffled.

Laila slipped Nan’s mind. Nan had errands and bustle and strangers to turn acquaintances. This was day: Laila folded in a corner while Nan went about living.

Nights Laila watched Nan assemble, watched her resurrect her face with skin tones and shadow. How well Laila knew the smell of those oils and machines that translated Nan into another creature, a small thing of skittish eyes and fragile frame, a being too gentle for this night, requiring cab fare, love and touch. This was the creature Laila had met, a chimera of neck and collarbone. She was leg and shoulder and skin, her body a continuation that could be glimpsed only in pieces, such was the draw of each part.

The bare of her back.

The slight of her wrist.

Laila waited for Nan’s footsteps, perfume, to fade before turning out the light.

As lack of light settled to darkness, the apartment grew into itself. The furniture took on its own shape. A table nubbed down to mimic floor. A quilt that had hardly made itself known forgotten on the couch. This was a couch monstered by seams, prolonged by Laila’s ministrations. Its fabric had grown sporadic, distraught from use. Still she traveled her body between its arms. Laila lay under the weight of weeks on their way, supining for Nan, time and time upon her. She accustomed her body to a pillowless night.

Nan had known the city by night but now in the dark waited streets she could not quite recognize. Every corner, sidewalk, an almost, not quite. Nan’s forgotten city: a stereotype of buildings, crosswalks spanning darkness she assumed to be road. She fell in with others similar to herself, drifting toward the city’s deeper parts. She sifted through ordinary, seeking something to find.

Nan unearthed city stall by stall. In these stalls, walls overcome with obscenities and the floor just as obscene, the complexities of Nan’s body simplified to mere functions of anatomy. In these stalls, these backway hiddens, the city unmasked itself, stepped free from its paperback guide trappings to expose not underbelly but stomach: mess of muscle and masticated girl, all decades of woman caught in breakdown. Listening to the secret sounds of other women, Nan with her fingers dismayed herself, set aside her outer layers and strained toward something she could not quite make truth.

Laila attempted assertion. She thrust at Nan sentences she hoped would meet Nan’s gaze. Nan passed through them as though they, the apartment, held no relation to actuality.

Laila pinched up an old envelope, hid N, for you I would become even less than you had hoped.-L inside its tatter. She gummed the envelope shut, evoking the already taste of tongue. Laila snuck into Nan’s magazines, tucked her own words among those Nan loved, those words which held in their permutations some meaning Laila could not provide. N, was it the dress? That slip of dress? A mistake. I had not known it so delicate.-L

N, when it is night and you are deep in beer, some basement bar, dress coaxing up your thigh, when you are fallen upon by men, their morals misplaced, do not forget that I am home dreaming up just such a scene for you. I do not care who you have touched. I will push you down, press against you until it is only me.

Chipped into the wood of Nan’s emptied drawers: N, I am like you only farther.

Leading to the bed:  N, when first   N, if you   N, I

And softly petaled between Laila’s lips: N.

Nan returned stained and spent from what had leaked from body. She removed her shoes to soften sound, snuck her way to where Lailaless she could hold on to that particular feeling of having on her own uncovered a city. It was not until she settled in this different darkness, night wiped from face, that she understood Laila gone.

That day took days. A slow search for Laila’s scatter. Nan picked Laila from carpet, scraped her out of wood, cleaned all surfaces of Laila’s message.

Nan distanced herself through the apartment while it was still an apartment and not a time to be erased. Here the chair in which and over there the plants that she. And that couch. Nan turned the tv to whatever late-night movie, tried to frighten herself into feeling.

She woke on the couch in a light that was dawn or dusk, some time of change, still feeling her dream in the couch’s fabric: something she had always known, some skin. In this between, fingers self-minded in their wandering, Nan discovered the last of Laila scarred into the velvet.

N, there is so much of you to be unlearned. The tilt of your breath. Your softening sounds, the mutters your body makes. I wanted to picture you, tried with pencil, coal, whatever left a mark.

I never could quite capture you.

Drains annalled with hair.

On the fire escape, a threaten of sky. The plants’ uncanny bloom.

Nan cut a blossom long-stemmed, livened her hair. She sought a vase but she could not find the flower’s place, this tiny burden.

She populated her bag with things that she would never use but worried she might need. Nan faced the door. Held in her hand the incarnation of flower.

The walls of the staircase were blank with dust. The same turn after turn. Nan knew well the descent, each step the same, but could not maintain so repetitive, so meaningless, a motion and she quickened, stumbled to a landing. The flower was lost between her fingers and palm, so pressed it felt only like skin. She did not unfurl her hand to see. She did not want to have caused its ruin, the loss of what kept it flower and not something limp and less.

Nan walked down the steps to the street as though she had not just fallen. She walked with what wisps of Laila remained and a fist that she was afraid to open.

The sky made an attempt at light, unveiling fragments of a softened city.

It had just stormed, or was just awakening.

Five Poems

Note: These poems are made from New York Times articles published one hundred years prior to my compositions.


Human Eclipse

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A candidate made a bet with several
contesters today that he had the biggest
mouth in the crowd and to prove his
assertion, thrust a bronzed heart between his jaws.
But it fitted his mouth so well that it took
two hours’ work on the part of physicians
to remove the heart and that was accomplished
only after swearing incessantly at his red
ballooned head failed, after threatening to cut
off the head, after the cordial support
of his friends failed, only after he decided
the time had come to die. The physician
told him to force the bronzed heart
out with his tongue. It failed,
so five front teeth were removed,
then the heart, with silver forceps.


A Pleasant Reciprocity

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The doors of a brutal city are left open and will close
only when the streets are comfortably lined with ponies.

To get there, many flags will be draped in each cathedral,
battles waged on the streets.

As unthinkable as a powderless Fourth of July, a system
of peonage and graft will be used by the cowardly assassin.

This will be a wicked city, probably the wickedest
city on the continent for a long time.

The touring storytellers will write, “I am very sorry,
I cannot make it.” Only when the last dexterous thief

has got into the habit of doing things as he pleases,
will a draft horse enter the main thoroughfare.

This horse will present itself a fine spectacle in a parking space.
Scores of people will place their hands on the animal’s flanks.

The warped and cracked laws will straighten and sweeten
with each touch and the citizens, intimating a question

has been posed, will bring into record the ponies,
and a pleasant reciprocity will take place.


The Sinking

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She saw their boat upset in the river.
Acting on the impulse of the moment,
she wasted no time in getting to the crew.
They obeyed her and she swam them to shore.

“Well gentlemen, if there is to be no seal killing anymore,
then you will need new careers.
I shall endeavor to meet you never again.”

Like the sea cow that she was, she wheeled on her left palm
and resumed her dawn flight through the East River.

The men talked at length that afternoon in a luncheonette-
about the sinking, the price of their food, old systems
of government, the Tigers’ winning streak, poetic justice-
but not of the business at hand,
and they never did.


Another Star Unto the Firmament

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Since the father had passed
eight months prior, the entire
family had endeavored to
subsist on the earnings of little Tommy,
scrawny specimen Tommy.
A worse wastrel you had never seen.
Here you will expect
the obvious pneumonia in a small alley,
the black blood on the face,
if this were the plain story.
But Tommy possessed a very large
sketch having special powers,
powers that trained men not to think.
Over and over again, Tommy crept
silently away with a basket of swindled bread
and the large sketch while policemen quarreled
using baby words, or Tommy escaped
below upturned faces.
The family put faith in the efficacy of Tommy
and Tommy put faith
in the efficacy of his large sketch
and magic was attributed to least pretense of success.
So how did it work, many of you ask?
Well, I did not write this poem,
nor do I know who did.


Alderman Frank and Alderman White

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Alderman Frank and Alderman White
were barred from visiting their families for fifty years.
Their wives would eventually cover their husband’s
names like ashes over garbage.
For three months, the Aldermen fled
from the baying of hounds. “The going is awful,”
stated Alderman White in the mornings.
A blizzard handicapped their progress.
‘”Who knew nature would be so dangerous?” added White in the mornings.
Their children were prohibited from expressing
any hope as to the sight of their fathers’ returns.
The snow developed into a drenching downpour.
Even their mothers vowed never to make the mistake
to add to the population again.
Forgetting their desires, their hearts,
Frank and White took cover in a guinea woods.
“The going is awful,” stated Alderman White,
when Frank’s fist shot squarely into the jaw of White.
They slept on the ground until morning and while their heartbeats
cannot be regarded as ended, they declined by the hour.
Divine Mercy decided these two were the type of animals
to put under the hammer. So, groping their way
through a heavy fog, they met in collision with a stiff white fence.
Forty thousand miles the fence has led them
through a constant procession of relatives and friends,
each waiting to embrace them.

Little Beast

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Margot kept things from the dig. She had a rusted fork that, when she touched its prongs to her tongue, tasted of done air. A tooth, a rib. Whose, she didn’t know. She didn’t trouble herself with ghosts. A rip of shirt, dusty soft. Blue leather, but a square. A cup, a saucer, separates.

She and her crew scooped the guts of the earth. There were bodies in the Plains, without names, without skin, old bodies. She found families, dusted mama’s and papa’s mandibles, respectively. Little baby bones, too, crunched and brittle. Like bits of bees’ comb.

Margot found the fist in a mob of cutlery; a steak knife nudged her knuckle, and then she felt the jut of cold flesh as the little fingers wrapped around her own index digit. When she pulled her hand from the dirt, she thought of a squid.

It was squishy, chilled, living somehow. Where it once met wrist, just a smooth nub, no ripped muscle or torn bone. It coiled its fingers tighter around Margot’s finger, and she felt the clammy sweat of a palm. So many years in the earth, Margot thought. And then she pocketed it.

Margot drove home at dusk, her sack of horsehair brushes and chip picks clanking in the back seat. The fist gripped air in her deep pocket. Margot thought of a baby, its frothy laugh, its chalky skin. Margot gave the fist her finger and it held her, did not let go until she got home.

At home, Margot watched the fist navigate surfaces, and thought of white spiders that prefer roses. The fist climbed up her arm and into her hair. It held the fuzz on her neck, climbed over her scalp and rested, fingers fluttering, behind her ear.

Margot thought of the earth, of its contents; it held the dead. The fist tumbled from her tresses and scurried down her arm, found a home in her palm. She thought she felt a pulse beneath the white skin.

Margot squeezed.

She felt the fist panic, the fingers try to spring apart. But she squeezed harder. She felt a bone snap, and then a second, and so on. Skin yielded flesh; Margot watched as a soft seep of blood silked through her fingers. The fist stopped moving; she forgot its possible pulse.

Next day, Margot looked out over the Plains-flat, everywhere. Shadows pulled over the low grass. Crops choked on dust. Her crew pulled their bandanas over their noses and mouths. They coughed nonetheless. Nothing really lives here, she thought, and returned to her work.

A Taxonomy of the Space Between Us

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(0)

                                                                                     The space between me and my brother
has always varied in size and volume (1):
                                                                                     its dimensions
                                                                      are ever-changing (2),
          have bent and expanded,
                                                            transcended literal confines (6),
                                                                                                                   opened new spaces (3),
          abstract spaces (4),
                                                       have functioned
                                                                                                                   as a membrane (5)
          that wraps itself around our bodies
                                                                                                    like the well-tailored clothing
          worn in the 1950’s (7)
                                                                                     without ever actually touching us (8),
                    connecting us without being (9),
                                                                                                         its existence
               predicated upon the fact that we still are (10),
and will remain being
                                                            as long as one of us
                                                                                                         is still alive.

(0) This is an essay about me and my brother; about how the space between us is neither division nor connection. This is an essay about how time moves faster than our ability to perceive of it, and also, other abstract concepts that describe the space between two or more people as being both unknowable and exceedingly relevant. This is an essay about how memories are disorganized, about the longing I have for my brother and my sister and my sister who is dead.

(1) Shortly after he moved from our hometown in Champaign, Illinois to his new home in Salt Lake City, Utah, I travelled out to visit my wife’s parents in Pennsylvania where I tried to write about a memory I have of watching the film Robocop (the mid-80s future-noir about a vigilante cyborg who violently exacts revenge upon a multinational conglomerate responsible for destroying the person he once was) with my brother (a). We were at a friend’s house, and it was very late at night. My brother was no older than 6 and it was the first time he’d witnessed the wanton destruction of human life on a television screen, and so he was petrified, but would not stop watching, would not stop uncovering his eyes. It was not the furthest apart we’d ever been from one another.

(a) I have searched my hard drive extensively for remnants of this writing but it’s gone like the snippets of photographs my mother cropped away with craft scissors to focus on whatever object she wished to focus on: a house, a tree, a face, a body…

i. I have come across these pictures here and there over the years. Oftentimes, all she’s cut away is just a stack of magazines, or a table full of dirty dishes, a hand sitting on an arm rest: negative space deemed unworthy, discarded, or mistakenly left behind in a pile of photos like a glimpse into the future.

(2) It is hard to know for sure if I was closer to my brother when holding his infant body down and punching him in his stomach, or when gliding a pair of clippers over his scalp when he was in the 7th grade, making him the first kid in middle school with a Mohawk.

(3) When I was 13 my brother found me next to my bedroom window smoking a Camel Straight I’d bummed off of a man at an AA meeting I’d attended with the intent purpose of finding someone who’d bum me a cigarette (a). My brother promised he wouldn’t tell our parents and he did not and he has not. My brother promised me that he would never start smoking and then he started a few months later when his friend stole a pack of Marlboro Reds from his dad. He still smokes to this day even though I quit 7 years ago.

(a) It is true, various media sources have told us, that children who are raised by smokers are more likely to start smoking themselves. When I started I was 11 years old. When my brother started, he was 12. Neither of our parents smoke and so when they found out about our habit, they did not understand how it fit into God’s plan and so they prayed over us in tongues, letting phoneme after phoneme overlap with one another until they washed over us in an ever-familiar haze.

(4) Shortly after my sister died, my brother got a speeding ticket and so I got drunk and I called him and I told him about how his choice had disappointed me. He was living in Springfield, Illinois at the time and I was still in Champaign (I am still in Champaign). It was not the furthest apart we’d ever been from one another.

(5) My brother was talking about String Theory (a) before high school. About the multiverse: how the many universes that make up all of existence do not come into contact with one another just as the molecular vibrations that enshroud every object we touch in fact keep us from touching it, how our outsides coil around each other, affect each other without ever making contact, like the air that becomes entwined inside two separate balloon animals (b).

(a) According to my father, at some very elaborate point, any scientific theory can become so complex it can only be understood through metaphor and abstract association. This, of course, leads to a very strange ontology, as the referents for these metaphors themselves become more and more abstract so that, in the end, a perfectly rational person can find himself arguing for the necessity of faith, the existence of God and the presence of some unknowable reality governed by forces that transcend our understanding of time, space, and the nature of existence…

(b) There are numerous instances wherein both Art and Science agree that two objects can press up against one another without ever touching. Think Michelangelo: how Adam’s outstretched hand nearly meets that of his maker. Think of Michelangelos’s fingerprints: thousands of them embedded in that ceiling, as if you could actually touch what he touched.

(6) I have dreamt that my brother is the one who dies, leaving me and my two sisters (one older, one younger) to mourn him for the rest of our lives. It is a strange relief to fall into. Stranger still to wake up in.

(7) I have the cashmere coat that my great grandfather, Charles Dwight Curtiss I (a) (b) wore when he worked in Washington D.C. designing the interstate system that my brother and I once used to drive across country. It was the first time we’d spent that much time together after our older sister died on a country road when she missed a stop sign in what I sometimes imagine was a successful suicide attempt and other times imagine was a mistake. The coat is too big for me and too small for my brother. I keep it in my closet where it’s slowly consumed by moths, a fact I pretend not to know.

(a) (who begat Proctor & Gamble executive, Charles Dwight Curtiss II, who begat Water Chemist, Charles Dwight Curtiss III, who begat my brother and my sisters and me)
(b) Shortly after I was born, my great-grandfather visited me in the hospital. At that point, my brain was a mass of unpaved passageways, my body a collection of cells which have all since been replaced with new cells. A few months later, he died, and his body didn’t matter anymore.

(8) Both my brother and I have spent our fair share of time shaking on church carpets, convinced of our bodies’ inability to function as a conduit for God’s everlasting love. I do not fully understand how this has affected him, nor do I know if he is an atheist like me. It has been some time since we’ve discussed spirituality, a fact attributable to our need to prioritize in all of the space that now separates us.

(9) The first time our younger sister tried to talk to me about how our older sister was gone and was never coming back because she was dead, I referred her to my brother and went back to carving out a hole in time which has, over the years, become both a bivouac and an alter to what does and does not exist between me and my siblings. I have since become much better at leaving that space when the occasion calls for it, at visiting them for longer and longer periods of time. I have since become increasingly aware of what it means to be close to someone, to be far far away from someone.

Two Poems

Dear Jeny

[wpaudio url=”/audio/7_6/Pfaff1.mp3″ text=”listen to this poem” dl=”0″]

I know this is your name because I read it on your embossed name tag.

I’m writing this down because I can’t shout loud enough to tell you over the noisy rattle and bang of the paint mixer and the customer assistance in aisle 12b announcements.

I want to tell you that this place sounds like someone put bricks in a clothes dryer.

I want to tell you that I like how you spell your name with one N, not like all the other Jennys and how I think that makes your name look like a truncated bendy straw and how that’s beautiful.

I want to tell you that your ponytail is by far the finest I’ve ever seen.

I want to say that my Hyundai is parked in the parking lot, in a far off space and we could run to it, your blue vest waving in the wind, and we could drive past the rest of the strip mall and the adjoining towns and over the ring of blue mountains on the horizon, and away from this gray valley.

I want to tell you that, when you smile, I think I love you, even though I only know your name and that you went to high school in the next town over (my sister told me she knows someone who graduated with you…and that I’m weird).

I want to buy you a coffee and ask you about your childhood and find out more about each other, like if our favorite color is the same and what kinds of dogs we like and what we both wanted to be before we were this.

 

On a scale of 1 to 5, where 5 means strongly agree

[wpaudio url=”/audio/7_6/Pfaff2.mp3″ text=”listen to this poem” dl=”0″]

In the twilight of the Dress Barn
you are making new slack

from the ribbon of my arms.
You are eating all the food

you can eat from the Old Country,
returning and returning for more

because, dammit, you paid for it.
The clock on the wall above the fountain

is set not for hours, but for days or weeks,
and the artificial skylight lets us know

that it’s overcast and cloud white and warm
and yes,

we’ve got that
and yes,

the softer side
and yes,

have it your way
and yes,

finger lickin’ good
and yes,

when you care enough to send the very best
and, hello,

I’m conducting
a short survey to determine your needs.

If I can have just five minutes of your time
you’ll sleep better tonight

knowing that we’ve made the best
even better for tomorrow.

Three Poems

These poems are presented in a PDF in order to preserve the author’s artistic intent.

Two Poems

AVEC (Ah-vek):

I.
My favorite foreign word and the word
of my sexual dreams. Avec lover.
Avec or sans clothing.

II.
Pronounced yes
with the face plain as a plowed field.

Pronounced no
in your neon lipstick.

III.
The lavender soap smell of everything French and possible
in the warm morning.

IV.
Also, with with a spear going through it.

V.
The front teeth biting
the bottom lip. The mouth
finishing in the shape of a question.


Vandalism

is saving your child’s emotional life.
So relax a little. Enjoy the ride
to the station where he’s sitting alone,
bent over himself like hands in prayer.
Look at him. Haven’t we all suffered enough?
Isn’t our own suffering, for God’s sake,
another child anyway.
This isn’t time to question upbringing.
The barn, after all, looked abandoned enough
and his arms so strong holding that big rock.
Look, he put it to his cheek. It was rough
like his father’s face when his father still kissed him goodnight.
So, he broke the window. So he broke
all the windows. So what? What other vocabulary
does a twelve year old have
besides the heavy-handed beauty
of sunlight on a thousand pieces of glass?
One body breaking through another.

Advice for the Female Fetus

1. We’ll Get to Now Later

Sometimes, when two people love each other very much, they want to get closer. So they put their bodies as close as possible to each other, like the pages of a brochure, or two legs inside a mermaid costume. This is called making love. Having sex.

Also, come to think of it, being pregnant. The fetus nestling against your intestines, bending her ear to the music of digestion….

But we’ll get to now later. First, I want to talk to you about sex.

 

2. In Case You’re Ugly

It may turn out that you are burdened, like your mother, with a long equine face and an abundance of body hair. You may require corrective lenses that over time will leave a salmon-colored dent on each side of your nose. You may smile too widely and in general be a person whose facial expressions betray a certain emotional lability.

If so, buck up. People-especially boys if they have a sense of humor and are at least partially inclined toward girls, sexually speaking-won’t mind as much as you think. With your looks, you likely won’t disappoint in bed or worry about losing them (your looks, I mean) or, worse, implement desperate measures-heavy makeup comes to mind-to prevent same. Your “good features” will receive abundant praise and you’ll feel free to dress in an “interesting way.”  Compared to beautiful girls, you’ll get less shit, I should imagine, and more personal space.

But what if you find, some distance into the project of growing up, that you are spiritually unattractive? That you have in yourself a surplus of bitterness and envy? Lack of understanding, lack of generosity, lack of hope for change? A heart that’s dense and inward, small and tight, wedged inside your ribcage the way a blackhead packs a pore?

I don’t know. Here’s what they told me:

Love is never having to say you’re sorry.

Love is letting go.

Love is a verb, not a noun.

Love is a verb? Fine. Try what I tried, then. Conjugate.

 

3. Humiliation As A Near Rhyme

On the oldies station someday-the oldies podcast-you, too, will eventually hear that song about the ways to leave your lover, the ones that rhyme: gotta get away, Ray, or whatever. Head out the door, Thor.

In life, of course, they don’t rhyme. They are unmusical, anti-musical, like the sound of a needle skipping across the record, which after all is just another artifact, another oldie. Imagine it therefore as the sound of something being unzipped. Or ripped.

I had a Quebecois boyfriend for ten days once. With him, I practiced my elementary French and my internet-researched sex moves, those that were Gallic-seeming, rough, slightly unhygienic. And at my prompting one night, he-let’s call him Gilles-confessed his private penseés, namely his désir for ultra fun.

Ultra fun? Fun? For a moment, I felt silly, frilly, rhymy. Moi?

“Autre femme: another woman!” Gilles finally hissed between his beautiful, if smoke-stained, teeth. “I want to be with her, not you!”

Not me. Pas moi. See? That’s the one that rhymes.

 

4. How To Use a Ladder

One year when my mother was very sick and we girls needed to experience the cardiovascular, musculoskeletal, and psychosocial benefits of team sports, my sister and I were made to join the swim team. At the university pool, we swam every morning before school. Our coach was mean and mostly unseen; he sat in his glassed-in office off the pool deck and relayed his instructions through a microphone connected to the PA system.

Rogers, that’s the kind of horseshit that’ll get you disqualified. Two hands to the wall, goddammit. Rice, pick it up or go home. Turn it over, Boileau, turn it over. Turn it over. Goddammit. Turn it OVER.

The coach’s voice slapped the wet tiles, echoed and amplified. He watched us from behind a window as unrevealing as a mirror. But I learned that if you were in the first lane, below the concrete lip of the pool’s edge, he couldn’t see you. Here, you could dive deep. You could pull the water past you in great round armfuls, heading down, and grab onto the bottom of the pool’s ladder. You could hold yourself there, ears painful with the pressure, until the rushing silence became real and surrounding, like something you could breathe. Here, you could hold yourself like a spider in amber, a stillborn in the sac, preserving yourself for the future.

First, everyone says: As Long as She’s Healthy. Then: As Long as She’s Happy. As if these are modest hopes, reasonable bargaining points in a negotiation with management. That’s All We Ask!

I’ll tell you truthfully, my darling: these are too much to ask for. I’m sorry. But come down. Come here. I can promise to give you this: an appetite for silence. Loneliness, and ways to find it when you need to. How to hold yourself safe, apart, tight to the lowest rung.