Welcome to the Lightning Room, where DeWitt Brinson & Simon Jacobs take turns asking PANK authors extremely difficult questions about their work.
December interviews come courtesy of the mind of DeWitt Brinson.
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I direct you to Three Poems by Sara Backer in our March issue. Now join us, won’t you? As we discuss the new toll system for traveling to poets, Buddha bunnies, and the dark stairwell we drink from.
1. These poems made me hungry. How do you see the intersection of poetry and food?
Obviously, both are basic necessities. Beyond that, food is the vehicle of the most tangible imagery there is. Is that cheating? (p.s. I do make a fabulous devil’s food cake from scratch.)
2. After digesting Crocodiles in Real Life, what poem by Vallejo should be ingested?
To me, Vallejo is a city in California you drive through on I-80 and pay toll to cross the Carquinez Bridge from which you can see the lighted Domino sign fill up with neon sugar. (I’ll mail back my graduate degree tomorrow.) But since that’s your only question about Crocodiles in Real Life, I’ll ramble. The story line is totally factual; I experienced this in 1981with substantial apprehension and relief. I didn’t write about it until decades later when I perceived a political metaphor. I live in New Hampshire, a State that has been targeted by the Free Stater movement that is blatantly out to destroy our government in the vague name of “freedom” (i.e. freedom from democracy, freedom from social responsibility). Most people regard the Free Staters as harmless whackos, but the movement is funded by billionaires. It’s naive and dangerous to think they are safely contained. Little bits of them add up to one big predator, a predator who has no qualms about eating us alive. Continue reading